poetry: a squirrel on a wobbly stool

A Squirrel On A Wobbly Stool
written by Mark Andrew Allen on December 15, 2008

This is a story, it's true, really it is.
It's about my friend named Bill, and his cat named Liz.
They were once going, a friend told me this, so,
to be starring, in a really, big tv show.

Oh, it was going to be exciting, and a really big deal,
The trucks rolled in, with all that metal and steel,
And make-up, and dressing rooms, and lights, and cameras too,
There were even some tigers on loan, from the city zoo.

There were people doing this, and people doing that,
Talking into walkie-talkies, and wearing funny baseball caps.
All getting ready, for the main act to soon begin,
The time when my friend Bill, you remember him?

It was his turn in front of the camera, for us to all take note,
That he had something special, something to gloat.
Well, it was really his cat named Liz, that was going to impress,
When the cat jumped from his lap, to the woman with the pretty dress.

The cat you see, was really a he.
And was the star on the show, that everyone came to see.
So Liz began to whistle a familiar song, something we all know.
That's when I knew WHY, they were making this picture show.

A cat that can whistle? Sure that's pretty neat.
I can see why all the people, had taken every seat.
This is when it all started, things began to take hold,
I realized right then, talent is nice, it never gets old.

But who needs talent, when you have a cat that sings,
Or horse that laughs, or a pig with a nose ring.
Who needs talent, when you have things like that,
A dog that paints pictures, of long haired cats.

Sure talent is nice, I played the violin once.
It made noises so bad, it sounded like grunts.
My teacher even secretly told me, before a big show,
to please don't let the strings, touch the bow.

I told my family later, what my teacher had said,
Thinking they would get mad, but they laughed instead.
I soon realized, talent can be a fickle thing,
For me it was sounding bad, that gave me my zing!

We all have something special, to offer this world,
A goofy smile, a funny joke, or a flip, and a twirl.
It's up to you, to come up with, what you think is neat and cool.
a whistling cat sure, but ever see a squirrel on a wobbly stool?

Okay now it's your turn. What will it be?
It can cost nothing, be completely free.
An idea, a plan, a story, a strength,
A recipe, a walk, a look, a stance.

It's completely up to you, it's really quite fun.
It all come down to this, so listen before you run.
It's called 'make-believe' for a reason, you must realize this,
You believe in what you make, and you'll never miss.

Then when the trucks roll in, with all that metal and steel,
We will all know, what's the really big deal,
It will be you, with your great gift, for the world to see,
Like planting a seed that turns into a tree.

©2008 Mark Andrew Allen










poetry

Mr Fish's World
written by Mark Andrew Allen on December 14, 2008


II wanted to have fun. Really I did.
So Mr. Fish I became, and had a friend named Sid.
I drew my new world, in the morning and at noon,
I drew more at night, while watching the full moon.

I wanted to express my fun and my joy.
I wanted to live in my world, as a boy.
The more I drew, the bigger I got.
Soon I was drawing like a robot

What was I doing. Where was I going.
These are the things, that I often thought.
Why am I creating this world of fun and great joy?

It's simple I thought, and simple I said,
It's because that's the world I want to live in,
with pink panda bears and blue carrots, why not.
These make-believe things are more fun and make me laugh.
Why not make a world where we can kid around with a giraffe.
Where we can have zebras as pets that follow us to school.
That's the world I want to live in. That would be cool.

Well I thought for a minute, probably more like three.
In my new drawn world, that I have made all my own.
There would be no rules, unless they are made up by me.
There would be toys and there would animals, but never a groan.
This will be fun, I thought, this will be neat.
I can now have a flying car, a pet elephant and cherry pie to eat.
There would be parrots with tails, and monkeys that talk,
There would be ducks that ride skateboards, on my orange sidewalks.

I would live in a tree house, in my backyard
With sharks and piranhas, and squid and eels too,
Swimming around in a moat, would be my water zoo.
They would keep out bad guys, because this world has those too.

I would have a swimming pool on my roof,
and a couch as my front door,
I would have a fireman's pole for quick escapes,
and would ride a flying boar.
I would give away hot dogs from helicopters,
and flying balloons,
I would sail to islands,
to play with laughing baboons.

These are things I can come up with, if I think real hard,
In my imagined world, with a really big back yard.
One so big, I can have dump truck races,
With a garden so tall, I could climb to high places.

That's all I can think of. Really that's it.
I'd have everything I ever wanted,
Well maybe a big shiny tuba, yeah really that's it.
Oh also a giant ferris wheel, with bright lights all around,
and life sized sand castles, and donkeys with clowns.

It's so fun to make up your own world.
You can be tall, with freckles, and hair full of curls.
You can be anyone, anything, anywhere you wish,
If you can imagine it, and I know that you can,
You can be a famous chef with that special dish
It's all up to you. It really is. No matter what they say,
If you want to have fun. If you want to play.
Draw the world you want to live in, and stay all day.

©2008 Mark Andrew Allen


What's The Matter With Mommy?


CRYING WOMAN,  1999,  35" x 61"  acrylic,  oil on canvas

A Group Theme Art Show and Preformance ~ Saturday, Dec 13th

...and YOU ARE INVITED...

This Venice art show is a multimedia appreciation of unconventional feminine role models, featuring photography, painting, installation, video, and spoken word curated by Shana Nys Dambrot.

Theme shows have always been interesting to me, because you can see many other artist's work based on the same theme. This show is particularly interesting due to the subject matter, "What's The Matter With Mommy?"

This will be another exclusive, VIP sort of thing, so make sure you RSVP before going, otherwise, you won't be able to get in. The info is as follows:

To attend the exhibition and performance on December 13th, please RSVP@salonoblique.com for the performance evening, as attendance is limited. You will receive directions and parking info via return email.

A group theme show;
“What's the Matter with Mommy?”
November 15 - December 31, 2008
Gallery: Salon Oblique, Venice, CA
for information on viewing the show by appointment, contact the gallery at:
www.salonoblique.com

The opening artist reception on
Saturday, November 15th,
featured special performances.


Special Salon Performance 
Saturday, December 13
Time: 6-9 pm



_______________________

The painting above is my contribution to this lovely theme. This neo-expressionist piece is from my "Beautiful Losers Series." The work was created as a nod to the famous 'Woman Series' by Willem de Kooning.

The piece is about a woman that is slowly getting 'cut off' from the world. The narrative is of her crying, yet continuing with her daily routine of drinking and trying to find her place in the world. So much distraction all around her. Her missing limbs are a metaphor of not being able to cope with daily problems because she is mentally stuck.


To view more of my work, please see www.markandrewallen.com

I hope to see you there December 13th!

 

Metallica and Basquiat??


I guess Lars, of Matallica has been the caretaker of the painting titled... uh, "Untitled" (Boxer). He is now ready to cash in on that painting, after spending 10 years admiring and caring for it. It will be auctioned at Christie's sometime soon. The bidding starts at $12 million.

RECOMENDED: Andre Butzer






I saw these large paintings at the Patrick Painter Gallery located at Bergamont Station. I thought it was pretty exciting work from this German artist. They remind me of Basquiat's work, but more dense and globs and globs of paint. He must of used five gallons of paint for each one of these works. Check it out. The show is up until October 25, 2008.

Building Forclosed and Trucked Away


At first glance, it looks like this truck is driving down the street with this builing.

The Secret Life of Matson Jones


Who was Matson Jones?

In 1951, Gene Moore, the display director for Bonwit Teller and Tiffany & Co., hired 'Matson Jones' to build props for his department store window displays.

Who was this artist?

Milton Ernest Rauschenberg was born the son of Ernest Rauschenberg, and Dora (Matson) Rauschenberg. In the late '40s he changed his first name because he felt that Robert sounded more artistic than Milton. Rauschenberg's most important artistic collaboration was with the painter Jasper Johns. Not since Picasso and Braque had jointly invented Cubism a half century earlier had two artists worked together as closely. "Jasper and I literally traded ideas," Rauschenberg once said. "He would say, 'I've got a terrific idea for you,' and then I'd have to find one for him." The two men shared a studio, became lovers, and supported themselves in the 1950's by doing window displays for Bonwit Teller and Tiffany & Co. under the pseudonymous Matson Jones.

Robert Rauschenberg + Jasper Johns = Matson Jones

Both Rauschenberg’s combine paintings and John's everyday object paintings had a strong impact on my developing sensibility. 

Rauschenberg also collaborated with companions and artists Cy Twombly and more recently with Darryl Pottorf.

Robert Rauschenberg 'Combined' Art and Life



Since I missed writing about artist Robert Raushenberg's passing in this blog, (1925-2008) I thought I would post an an essay I wrote after seeing him for the last time in Los Angeles.

Raushenberg maintained that he worked “in the gap between life and art.” Characterized as a “neo-dadaist” his work challenged the difference between traditional art objects and the objects of the everyday world (including everything from the “junk” one might find on the streets to snapshot photographs), creating what became known as “combines” and “assemblages.” By some accounts he sought to make “sense out of senselessness. He will be sorely missed.

I was lucky enough to visit with him on four different occasions...

"Robert Rauschenberg: In Raw Form"
Date First Published: 2008-03-24 - Time: 15:17:51

I have been fortunate enough to meet
Mr. Robert Rauschenberg on several occasions....

On Sunday, May 21st at a little after 3 pm on a drizzly cloudy day, Bob was wheeled out in a wheelchair onto the stage (he recently had a stroke and doesn't have the use of his right hand and can't hear out of his left ear very well) at the sold out Silver Auditorium at the Pacific Design Center in Los Angeles. He was positioned between Paul Schimmel, Curator at MOCA, Los Angeles and Calvin Thompkins,
author of the Rauschenberg biography "Off The Wall."

He was introduced by Paul as the "Father of Post Modernism." hmmm. that sounds like a pretty big title. Bob kinda of looked up to the ceiling hearing that and looked thoughtful. After Paul said Bob needed no introduction he proceeded to give a VERY long introduction. I started to wonder if Bob was able to speak or not! Finally....Bob talked....

He spoke a lot about his work with Merce Cunnigham, the avant-garde dancer. They traveled together on a tour for about 3 years performing these very unusual performances. It was at that time he was working on the "Dante" transfer drawings (I assume because they were on the road) But he created a lot of his most important work during this time for the theater. Work that must be able to collapse down and fit into the back of a Volkswagon bus and travel to the next show. I thought it was very interesting that he created art with whatever he could while on the raod. That is when he came up with so many interesting ideas like the turtles with the flash lights attached to their backs. One is still alive and holding court in Bob's New York City studio. He mentioned at one point, "I'm the best non-dancer in the world." A side note,... he didn't talk much about Jasper John (his former companion) . He rarely does. Another interesting thing... his son Chris (I think that is his name) from his marriage to Susan was there. (Bob was still in the closet back then, I suppose.)

He spoke about the creation process. This is one of my favorite things about Bob.... He said the IMMEDIACY of the PROCESS was very important to him. He said it comes down to "what you had for breakfast that day, what you got in the mail that day." How important. After some thought, I remember a documentary on John Lennon, another genius in his own time, who spoke of the same concept. A guy had snuck onto this Beatle's property and was discovered by the groundskeeper. When confronted by Lennon, he said all he wanted to do was meet the Beatle and tell him that they thought about things exactly the same. He mentioned lyrics to some of his songs and said John was speaking to 'him.' John said he was 'full-of-it'. He said that his songs were about the immediacy of what he was experiencing that day he wrote any given song. He said it depends on so many things. What he had for breakfast, who he talked to on the phone, etc. the same idea of IMMEDIACY.

Back to Bob,... he was asked about why he seemed to not of created art for 3 years in the 50's. . He corrected them by saying that he was working the whole time. Just not showing his work. At this time, he still had not sold ANYTHING! He said "sometimes you have to drop out to stand forward." I liked that. Yeah. I can relate. I personally work ALL OF THE TIME, but I don't always go public with it either. hmmm. Good thoughts to ponder.

Then he was asked about why he chose the color RED for one of his series back then..... now here was a time that I thought to myself,... okay,... I've heard him answer this question before, how lucid is he at 80 years old...?... Well, after a long uncomfortable pause, as I am pressing my toes through the soles of my newly bought Basquiat shoes... [another blog]... he answered it correctly.... and brilliantly. He said, "I chose the color RED because it was the most difficult color to use. I wanted to challenge myself." That 'challenging thing' was probably from his influence of his adversarial (and beloved) teacher, Joseph Albers of Black Mountain College.

He also told a funny story about the infamous goat in the piece named 'Monogram' This is the piece that is a canvas on the floor with a goat standing on it. He told of passing by this office supply store and saw this goat in the window. He thought, hmmm, I am going to go inside and ask why the goat was in the window. Well, the owner said, you know, I have been in the office supply business a long time. I get so many big boxes that come though here every month that I have gotten pretty good at guessing what is in the box without even opening it. Well,.... pretty good that is!. There stood this scraggly goat with matted hair. Not so good a guessing that day, I suppose! Bob asked the fellow, how much would he sell the goat for? The man promptly said I wouldn't sell it, but if he did, it would be for 30 dollars! Bob only had 15 dollars on him, which was his entire months rent. (1952 or so), so he said he would be back as soon as he could, with the rest of the money. Well, it took him a while to get the rest of the money together. When he did, he went back to 52 Street, (I think he said) and found that the guy had gone out of business. So he got the goat for 15 bucks. Paul laughed and said that the guy from that store owns half of 'Monogram' (now worth millions, I'm sure). Bob, went, hmmmm. He probably won't be telling that story again! He said he painted the canvas that the goat stands on, on the ground. He said he painted it to be a garden for the goat. I can't help but think of Picasso's famous sculpture of a goat that he took to each house he moved to. That goat stood guard outside of each home in the South of France. Not so much with Bob's goat though.... His goat, after several bottles of HUMAN shampoo (because, where do you find good goat shampoo) to clear up the matted fur (this is a long haired goat), Add to that the goat had paint globbed onto the it's snout. People were very offended at that and the rubber tire around the belly of the goat. But that is what made it great.

A few other quotes of the day....

"If it doesn't FRIGHTEN or CHALLENGE me, I move on"

"All I had was me, and I wanted to make something"

"I came out of poverty, doesn't everything (good)?

"Naming my pieces is sometimes the best part"
(He really loves naming his pieces, I thought that was interesting.)

"It's another ADVENTURE"

BTW- He was born in Port Arthur, Texas, and lived there until he was 17.
Yup,....TEXAS!

ROBERT RAUSCHENBERG COMBINES at MOCA
The Museum of Contemporary Art, Los Angels, CA.

Go see it if you can!
ps - he was actually at the members opening the night before as well. Such a trooper. He so loves to enjoy life and have a good time. God Bless Him. He has made an enormous contribution to the art world.

And so it goes. I suppose...

Warhol and Basquiat


Shortly before Andy Warhol died he posed for this great poster of the show he and Basquiat did together. Very interesting work that they created together. Warhol started each canvas, and Jean Michel would paint it out.

Watch Warhol and Basquiat on YouTube

Best Tattoo I Have Ever Seen


I've always said if I was to get a tattoo, I would make it look like something other than a tattoo. Something like this is a good start.
Ah, Candyland.....

This one actually looks like it was painted on.